Record producer, engineer and mixer
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Record producer, engineer and mixer
My name is Chris and I’m a record producer. I work out of a studio in lower Manhattan that used to belong to Philip Glass. I’m originally from upstate NY, have played and studied music since I was in grade 4, but didn’t get into recording until my early 20’s.
I spend a lot of time fiddling on a Mac Pro, and spend even more time in front of a 30” Apple Cinema Display. It’s a Nehalem 8 core 2.26ghz with 6gb RAM. Recently I’ve moved from Glyph external drives, to simply working off WD Caviar Black drives internally, and just keeping the last 2-3 projects on there at a time.
My display is set in between a set of Genelec 5080 monitors (with a 7070 subwoofer), and a pair of Yamaha NS-10s. I’m also a long time user of Sennheiser HD 600 headphones and I find them to be a must have for checking mixes on. In addition to those, I like to listen to stuff on this digital radio from the UK called the Evoke 3 made by this company Pure.
I also use Native Instruments Maschine for some drum programming, and this handy little gadget from Novation called the Nocturn, which is a nice clean way of assigning whatever you need on the fly from Pro Tools via simple MIDI control.
Aside from computers though, I use quite a bit of analog equipment. Probably more than most these days. The core of my setup is the Neve console, but I you’d struggle to find an album of mine that didn’t include Neve 1095 preamps, my vintage AKG C12, 1968 Jazzmaster or early 60’s Ludwig drums. Although they very rarely get used anymore, I do still have a Studer A827 2” analog tape machine, and a Studer A80 1/2” tape machine as well.
One last piece of gear that I’m really keen on is the UBK Clariphonic. This might be a little too geeky to talk about here, but I think it’s worth mentioning because it’s become such an integral part of my workflow. Long story short it’s a kind of a parallel equalizer. Which is basically just fancy talk for an EQ that adds to the original sound, rather than just simply effect the original sound only. It’s extraordinarily simple and beautifully musical. One of my all time favorites.
My main platform is Pro Tools, but from time to time I do use Ableton. I have a vast array of plugins, but one thats worth mentioning is the UAD 2 setup that I have. I think they’re just about the best sounding audio plugins that have ever been made. Period. They seem to go the extra mile modeling the plugins after really great pieces of analog gear, not to mention they are able to get licensing from some of the original companies and work with them, to make sure they really capture all the little nuances. I appreciate that.
I always recommend people check out QuicKeys, Transmit, and anyone that works in a recording studio should check out this rad application called Teaboy Audio, which is used to replace paper recalls of equipment settings. It stores your notes on the cloud rather than locally, which is extra handy should you like to look up a setting for something anywhere, anytime.
This sounds like an obnoxious thing to say, but I feel like I am pretty close to my dream setup, to be honest. At least from a tech point of view. I would like to add a 2nd display that is smaller and closer, for up close/fine tune edit jobs, or just co-op my iPad if I could find a app that had a frame rate fast enough so there was no noticeable lag, but aside from that, the only thing I think I would change is my location/the interior of my control room.